It comes from what the film is about, from what it tells about us as human beings, from what it reveals about the milieu that it so fascinatingly recreates and exaggerates. Mind you, ∻liss is still a terrifying film, but the terror it imposes is not sourced from the supposedly scary sequences that Tarog crafts from the oppressive and narrow corridors of the enigmatic house where Calzados character has been conveniently trapped. It is in the horror department that the film falls short. The film is appropriately funny, brimming with the right amount of sarcasm and irony to keep its observations about the film industry afloat without being too overbearing. He acknowledges that while his film might be more of an intellectual experience because of its complex structure, it cannot just ignore the function of emotions. He knows when exactly the films primary revelations should happen. The seductive mysteries of ∻liss unfold seamlessly. Review: ∛liss reveals the entertainment industrys cycle of abuse

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